"You know better than I," said Fleda, speaking with high extravagance. Mrs. Gereth confessed to the fact of danger with a cynicism that surprised the girl. "By calculating, by choosing my time. I was quiet, and I was quick. I manœuvred; then at the last rushed!" Fleda drew a long breath: she saw in the poor woman something much better than sophistical ease, a crude elation that was a comparatively simple state to deal with. Her elation, it was true, was not so much from what she had done as from the way she had done it—by as brilliant a stroke as any commemorated in the annals of crime. "I succeeded because I had thought it all out and left nothing to chance: the whole process was organized in advance, so that the mere carrying it into effect took but a few hours. It was largely a matter of money: oh, I was horribly extravagant—I had to turn on so many people. But they were all to be had—a little army of workers, the packers, the porters, the helpers of every sort, the men with the mighty vans. It was a question of arranging in Tottenham Court Road and of paying the price. I haven't paid it yet; there'll be a horrid bill; but at least the thing's done! Expedition pure and simple was the essence of the bargain. 'I can give you two days,' I said; 'I can't give you another second.' They undertook the job, and the two days saw them through. The people came down on a Tuesday morning; they were off on the Thursday. I admit that some of them worked all Wednesday night. I had thought it all out; I stood over them; I showed them how. Yes, I coaxed them, I made love to them. Oh, I was inspired—they found me wonderful. I neither ate nor slept, but I was as calm as I am now. I didn't know what was in me; it was worth finding out. I'm very remarkable, my dear: I lifted tons with my own arms. I'm tired, very, very tired; but there's neither a scratch nor a nick, there isn't a teacup missing." Magnificent both in her exhaustion and in her triumph, Mrs. Gereth sank on the sofa again, the sweep of her eyes a rich synthesis and the restless friction of her hands a clear betrayal. "Upon my word," she laughed, "they really look better here!"!

"I see in it simply what must be, if you've a single spark of pity. Where on earth was the double game, when you've behaved like such a saint? You've been beautiful, you've been exquisite, and all our trouble is over." "Horrible—horrible!" cried Mrs. Gereth, with a laugh, "and it's really a comfort to be able to say it." She had an idea, for it was her ambition, that she successfully made a secret of that awkward oddity, her proneness to be rendered unhappy by the presence of the dreadful. Her passion for the exquisite was the cause of this, but it was a passion she considered that she never advertised nor gloried in, contenting herself with letting it regulate her steps and show quietly in her life, remembering at all times that there are few things more soundless than a deep devotion. She was therefore struck with the acuteness of the little girl who had already put a finger on her hidden spring. What was dreadful now, what was horrible, was the intimate ugliness of Waterbath, and it was of that phenomenon these ladies talked while they sat in the shade and drew refreshment from the great tranquil sky, from which no blue saucers were suspended. It was an ugliness fundamental and systematic, the result of the abnormal nature of the Brigstocks, from whose composition the principle of taste had been extravagantly omitted. In the arrangement of their home some other principle, remarkably active, but uncanny and obscure, had operated instead, with consequences depressing to behold, consequences that took the form of a universal futility. The house was bad in all conscience, but it might have passed if they had only let it alone. This saving mercy was beyond them; they had smothered it with trumpery ornament and scrapbook art, with strange excrescences and bunchy draperies, with gimcracks that might have been keepsakes for maid-servants and nondescript conveniences that might have been prizes for the blind. They had gone wildly astray over carpets and curtains; they had an infallible instinct for disaster, and were so cruelly doom-ridden that it rendered them almost tragic. Their drawing-room, Mrs. Gereth lowered her voice to mention, caused her face to burn, and each of the new friends confided to the other that in her own apartment she had given way to tears. There was in the elder lady's a set of comic water-colors, a family joke by a family genius, and in the younger's a souvenir from some centennial or other Exhibition, that they shudderingly alluded to. The house was perversely full of souvenirs of places even more ugly than itself and of things it would have been a pious duty to forget. The worst horror was the acres of varnish, something advertised and smelly, with which everything was smeared; it was Fleda Vetch's conviction that the application of it, by their own hands and hilariously shoving each other, was the amusement of the Brigstocks on rainy days.

He turned about vaguely for his hat. "I'm the proper person to answer Mrs. Brigstock's questions," Owen broke in again, "and I'm not a bit less ready to meet them than you are." He was firmer than she had ever seen him: it was as if she had not known he could be so firm. Directly after luncheon Mrs. Gereth took her into the garden for a glimpse of the revolution—or at least, said the mistress of Ricks, of the great row—that had been decreed there; but the ladies had scarcely placed themselves for this view before the younger one found herself embracing a prospect that opened in quite another quarter. Her attention was called to it, oddly, by the streamers of the parlor-maid's cap, which, flying straight behind the neat young woman who unexpectedly burst from the house and showed a long red face as she ambled over the grass, seemed to articulate in their flutter the name that Fleda lived at present only to catch. "Poynton—Poynton!" said the morsels of muslin; so that the parlor-maid became on the instant an actress in the drama, and Fleda, assuming pusillanimously that she herself was only a spectator, looked across the footlights at the exponent of the principal part. The manner in which this artist returned her look showed that she was equally preoccupied. Both were haunted alike by possibilities, but the apprehension of neither, before the announcement was made, took the form of the arrival at Ricks, in the flesh, of Mrs. Gereth's victim. When the messenger informed them that Mr. Gereth was in the drawing-room, the blank "Oh!" emitted by Fleda was quite as precipitate as the sound on her hostess's lips, besides being, as she felt, much less pertinent. "I thought it would be somebody," that lady afterwards said; "but I expected on the whole a solicitor's clerk." Fleda didn't mention that she herself had expected on the whole a pair of constables. She was surprised by Mrs. Gereth's question to the parlor-maid.